From his terrific book, The Digital Negative, which I’ve just started reading:
I’ll be the first to admit that some of the image adjustments might be viewed as, uh, aggressive, but I’m not known for subtlety. I’m not really interested in an accurate reproduction of a scene. I tend to go for an enhanced rendering. If I were a photojournalist or documentary photographer, I would need to tone down my approach, but I’m not, so I go for impact instead.
That’s exactly the way I think.